Best known for his luscious paintings of pies and ice-cream cones, American artist Wayne Thiebaud (born 1920) has been an avid and prolific draftsman since he began his career in the 1940s as an illustrator and cartoonist. This book of about ninety drawings - compiled with the full cooperation of the artist to accompany a major new exhibition at the Morgan Library & Museum - explores the wide range of Thiebaud's production on paper, including early sketches, luminous pastels and watercolours, and charcoal drawings made in connection with his teaching. In subjects ranging from deli counters and isolated figures to dramatic views of San Francisco's plunging streets, Thiebaud's drawings endow the most banal, everyday scenes with a sense of poetry and nostalgia. Fully illustrated and beautifully designed, with illuminating texts, including an extensive interview with the artist, Wayne Thiebaud: Draftsman is the first major publication devoted to his lifelong engagement with drawing.

On the occasion of his 85th birthday the famous international German artist Georg Baselitz (*1938) has donated a collection of works on paper to both the Albertina Museum in Vienna and the Morgan Library in New York. The publication combines the 100 sheets to create a representative retrospective, providing by virtue of its concentration an important contribution to the understanding of his entire oeuvre. The two extensive sets of drawings and watercolours date from different creative phases from the early 1960s to the present day. Through this direct medium the works provide an intimate insight into the artist’s creative process across the past five decades. An interview with Georg Baselitz conducted to mark this publication provides information about the significance of the works on paper in the genesis of his works and within his oeuvre.

This book investigates important and illuminating aspects of Al Taylor's drawings, which numbered over five thousand at the time of his death. It includes a chronological survey of Taylor's drawings from the mid-1980s, when he abandoned painting in favour of sculpture and drawing, and highlights the combination of technical refinement, humour, and sensuousness that characterises his works on paper. Stunning reproductions of the works, which were inspired by such ordinary things as tin cans, pet stains, and broomsticks, reveal the drawings' minute details, nuanced shading, and playfully agile pencil lines. Lively texts explore how the rich and complex visual sensibilities of Taylor's drawings resonate with that of late Renaissance and Baroque Old Masters. The book also examines Taylor's innovative approach to process and materials, such as photocopier toner, with its intense black, and the extreme white of correction fluid. Created with equal parts humour and technical virtuosity, and informed by scientific models as well as everyday minutiae, Al Taylor's magnificent drawings are meditations on form and structure that stand as testament to great draftsmanship.